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  • DP Robert Elswit On Shooting The Pilot That Launched “The Night Of”

    By Marjorie Galas

     

    Robert Elswit hadn’t shot digitally prior to “The Night Of.”   The cinematographer’s Oscar winning work on “There Will be Blood”, Oscar nominated cinematography in “Good Night and Good Luck” and many other acclaimed films were shot on film.  Noting the pilot episode would require mostly evening shoots, he saw the opportunity an excellent means of…

     

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